| "Disorder" | |
|---|---|
| Song by Joy Division | |
| from the album Unknown Pleasures | |
| Released | 15 June 1979 |
| Recorded | April 1979 |
| Studio | Strawberry Studios, Manchester |
| Genre | Post-punk |
| Length | 3:36[1] |
| Label | Factory |
| Songwriter(s) | |
| Producer(s) | Martin Hannett[2] |
"Disorder" is a song by English rock band Joy Division, released as the opening track of their 1979 debut album Unknown Pleasures.[3] It was co-written by band members Ian Curtis (vocals and lyrics), Peter Hook (bass guitar), Bernard Sumner (guitar) and Stephen Morris (drums). The music for the track emerged through their usual method of jamming through long practice sessions, and had been played live a number of times before its studio recording. It was produced and engineered by Martin Hannett, who was also a partner at the band's label Factory Records.
Although the band were initially unhappy with the production, believing Hannett's stripped down recording reduced the power that the drums and guitar gave it had when played live, the song has become a classic of post-punk and alternative music, and along with the band's "She's Lost Control" is considered a peak of Hannett's career.
The track was recorded in early April 1979 at Strawberry Studios in Manchester,[4] as the first track recorded for the album. Early on its production lead to a major disagreement between the band and Hannett as to how the album was to sound. Joy Division favored the heavy guitar attack dynamics of their live performances, while Hannett sought a more pared back, spectral sound, achieved through stripping back and isolating each instrument.
Recording
Unknown Pleasures was recorded Strawberry Studios in Stockport, Manchester, between 1–17 April 1979. The band was then relatively inexperienced with studio recording techniques, having recorded just the low budget EP An Ideal for Living, and two Peel Sessions. As with many of the album's tracks, "Disorder" was written months before the sessions, and its sound and pace had been developed over a series of live performances.[5]
Bassist Peter Hook admits that the recorded version of the song contains a number of bum notes when he missed some of the higher notes on the A and D strings. He puts this down to Factory Records not having much money for studio time, and thus the band had only a few takes for each track. Nevertheless, he believes now that they add to the mood of the track, and says that he "can't imagine "Disorder" without them".[6]
Music and lyrics
The high tempo[7] song begins with an echo-laden drum pattern played on tom toms. Hannett creates space by widely panning the drums on the audio spectrum, and giving the left hand track a "murky and distant" feel, while leaving the right hand track with a brighter and more immediate sound.[8]
As Joy Division began to experiment with synthesizers after the album's release, Morris began to use a Synare 3 drum machine during live performances to create a "sci-fi whup-whup siren intro" for "Disorder".[7]
Critics and remaining band members have debated whether the opening lines "I’ve been waiting for a guide to come and take me by the hand" refer directly to Curtis' epilepsy, or more generally to his struggles with depression.[9][10] In his July 1979 review for Melody Maker, critic Jon Savage describes the closing vocal line of "Feeling feeling feeling" as sung "in the exact tones of someone who’s not sure he has any left."[9]
Reception and influence
In 2015 "Disorder" was named number one on The Guardian's list of the top 10 Joy Division songs.[11] It has been widely covered, notably during a 2010 collaboration between Xiu Xiu and Deerhoof, and by Bedhead.[2]
Looking back in 2013, Joy Division bassist and songwriter Peter Hook regretted that the song had not been released as a single, believing it was good enough to have built enough interest on the alternative music scene to allow their eventual first single "Transmission" to crossover into the UK Singles Chart.[12]
References
Citations
- ^ Freelander, Zippo. "Unknown Pleasures, Joy Division". AllMusic, 5 September, 2015. Retrieved 25 September 2023
- ^ a b Ott 2004, Chapter 1.
- ^ Hewitt 2015.
- ^ Ott 2004, Chapter 3.
- ^ Hook 2013, pp. 148, 152.
- ^ Hook 2013, p. 200.
- ^ a b Morris 2019, The Sound of The Future.
- ^ Zagorski-Thomas 2019.
- ^ a b Savage 1979.
- ^ Savage 2014, p. 35.
- ^ Hewitt (2015)
- ^ Hook 2013, pp. 160–166.
Sources
- Hewitt, Ben (15 July 2015). "Joy Division: 10 of the Best". The Guardian. Retrieved 25 September 2023.
- Hook, Peter (2013). Unknown Pleasures. Inside Joy Division. London: Simon & Schuster. ISBN 978-1-4711-2980-3.
- Morris, Stephen (2019). Record Play Pause: Confessions of a Post-Punk Percussionist: the Joy Division Years: Volume I. Constable. ISBN 978-1-4721-2620-7.
- Ott, Chris (2004). Unknown Pleasures (33⅓ series ed.). New York City: Bloomsbury Publishing USA. ISBN 978-1-441-13555-1.
- Savage, Jon (2014). So This is Permanence: Joy Division Lyrics and Notebooks. Faber & Faber. ISBN 978-0-5713-0955-9.
- Savage, Jon (21 July 1979). "Joy Division: Unknown Pleasures". Melody Maker. Retrieved 6 October 2003.
- Zagorski-Thomas, Simon (2019). The Art of Record Production: Creative Practice in the Studio. Routledge. ISBN 978-1-1382-0516-1.
