The Theatre Portal

Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

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Allah jang Palsoe (Malay for The False God) is a 1919 stage drama from the Dutch East Indies that was written by the ethnic Chinese author Kwee Tek Hoay, based on E. Phillips Oppenheim's short story "The False Gods". Over six acts, the Malay-language play follows two brothers, one a devout son who holds firmly to his morals and personal honour, the other a man who worships money and prioritises personal gain. The two learn over the course of a decade that money (the titular false god) is not the path to happiness. Kwee Tek Hoay's first stage play, Allah jang Palsoe was written as a realist response to whimsical contemporary theatre. Though the published stageplay sold poorly and the play was deemed difficult to perform, Allah jang Palsoe found success on the stage. By 1930 it had been performed by various ethnic Chinese troupes to popular acclaim, and had pioneered a body of work by authors such as Lauw Giok Lan, Tio Ie Soei, and Tjoa Tjien Mo. In 2006 the script for the play, which continues to be performed, was republished with updated spelling by the Lontar Foundation.

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Frank Matcham
Frank Matcham (1854–1920) was an English theatre architect and designer. During his 40-year career, he was responsible for the design and construction of over 90 theatres and the redesign and refurbishment of a further 80 throughout the United Kingdom. Matcham was best known for his work in London, under Moss Empires, which included the designs of the Hippodrome (1900), Hackney Empire (1901), London Coliseum (1903), London Palladium (1910), and Victoria Palace (1911). According to the dramatist Alan Bennett, there was a Matcham theatre in every corner of the UK. Matcham's use of cantilevers for the galleries allowed him to discontinue the use of columns, which would otherwise obstruct the audience's view of the stage. The auditorium decorations were often mixed with Tudor strap-work, Louis XIV detail, Anglo-Indian motifs, naval and military insignia, rococo panels, classical statuary, and baroque columns.

Did you know (auto-generated) - load new batch

  • ... that at the premiere of The Cage, a ballet about female insects preying on their male counterparts, choreographer Jerome Robbins's mother walked out of the theater?
  • ... that though Broadway's Ambassador Theatre was characterized as having a "relatively lackluster career", it has hosted the same musical since 2003?
  • ... that Broadway's Imperial Theatre, opened in 1924, was the Shubert family's 50th theater in New York City?
  • ... that Jonathan Reynolds deep-fried a real turkey during his performance of Dinner With Demons at the Second Stage Theater, New York?
  • ... that the Times Square Theater, proposed for redevelopment since 1990, remained empty three decades later?
  • ... that in its first two decades, the Mansfield Theatre had only two "outstanding hits", both performed by all-Black casts?

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Elbert Hubbard
One can play comedy, two are required for melodrama, but a tragedy demands three.
Elbert Hubbard, from Little Journeys to the Homes of Great Lovers, 1906

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